Bound Washington, D.C.
The sound of everything rushing back at once, receding as fast as it came, and leaving more to linger. The story of how we're bound, for better or worse.
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supported by 34 fans who also own “The Lines”
Ethereal, haunting and cinematic. Listen on a drive at night, good speakers/headphones are advised.
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supported by 32 fans who also own “The Lines”
Ethereal, haunting, heavy in places. Perfect late night driving in the winter soundtrack. As if the cure got into shoe gaze metal.
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supported by 31 fans who also own “The Lines”
Blood 🩸 Pact is such beautiful and sad song, HF are a genre all their own, a must see live!
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The Arizona band do right by post-hardcore on their immersive new LP, leavening untempered breakdowns with carefully-measured catharsis.
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Triumph & Disaster
by We Lost The Sea
An tempestuous post-rock journey inspired by the existential threat of climate exchange, "Triumph & Disaster" overflows with grace and grit.
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Forgive Yourself
by Publicist UK
Blood Relative is Publicist's latest post-punk salvo from the Forgive Yourself LP, steered by Zachary Lipez's unnerving baritone.
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supported by 30 fans who also own “The Lines”
The title track pulled me into Slow Crush's orbit, but Tremble held me there - alongside Lull from the Hush LP and the whole of Seasurfer's Dive In, it can send me into an altered state of consciousness. The album vibrates with hints and nudges, from Slowdive twangs to a Corgan-esque chord shift, but Slow Crush are their own sound - thick, dark melodic, etherealistic soundscapes with Isa Holliday's vocals both binding the music and rising above it. One of the best bands in years.
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